President Carter: MCHG

President Carter: Magna Carta Holy Grail

He just wants a Picasso. Magna Carta Holy Grail proves that Jay Z may still want a little more than that from the so-called rap game. Sean Carter shows his continually growing hunger on this album, which is filled with high highs and low lows.  With the helpful creative influences from superstar producers Rick Rubin, Timbaland, Swizz Beatz and Pharrell Williams, Jay Z slices back into the rap scene in effortless fashion. MCHG starts off hot with the Justin Timberlake-assisted single Holy Grail. On this intro cut, Jay discusses his struggles and his love-hate relationship with fame. “I can’t even take my daughter for a walk…”

The next track on the album, Picasso Baby, features Mr. Carter rapping about how he is the modern day Pablo Picasso. Hidden behind metaphors, Jay reveals how all the things success has brought him really has not changed his life at all. He talks about how having that Picasso painting one has always dreamed of having cannot make some unhappy individual suddenly happy. His ten-minute, super artistic video for the song has recently brought a strong visual component to the track.

Track 3, Tom Ford, features an aggressive Jay Z spitting bars over a hypnotizing Timbaland-produced instrumental. Lines like “I don’t pop Molly, I rock Tom Ford” display his effort to promote hard work and getting things done as opposed to dabbling with drug usage and essentially going nowhere in life. Track 4, FuckWithMeYouKnowIGotIt, features Jay and Rick Ross going back and forth boasting and bragging over Boi-1da production. As the first four tracks of the album are extremely high-energy, from here the album’s whole vibe suddenly shifts…

The Frank Ocean-featured Oceans showcases a very lyrical Sean Carter rapping and rhyming slavery-related metaphors. Frank Ocean’s emotional hook provides the Pharrell-laced backdrop with an incredibly smooth fullness. From here, F.U.T.W. features Jay inspiring people who came from similar backgrounds to really make an impact in this world. Some powerful bars can be found on this cut such as “America tries to emasculate the greats, murdered Malcolm gave Cassius the shakes.”

SomewhereInAmerica, produced by Hit-Boy, showcases a nifty Jay Z dissing the Internet, and blames our technological advances for the evident, diminishing human intellect. On Crown, Jay Z reminds his fans he is still the King of hip-hop.

Heaven places Mr. Carter questioning religion and a higher power, along with other various theories and mythologies. “Question religion, question it all…” The King of hip-hop’s wife, Queen Beyonce Knowles, finally makes an appearance on Part II (On The Run). This ‘sort of’ sequel to Bonnie & Clyde ’03 features a harmonizing Beyonce, an RnB-style instrumental and an old-school flowing Sean Carter through 3 verses. Next, on BBC, Jay Z finds help from Nas, Justin Timberlake and Pharrell over the lush, jazzy Neptunes-produced vibes.

Jay Z finally delivers his ode to his daughter, Blue Ivy Carter, on Jay-Z Blue. He takes on the role of a man who divorces his wife, but actually wants to be there for his child as he calls himself ‘Daddy Dearest.’ Here, Sean battles with not wanting to be like his dad while being afraid of the responsibilities brought on by fatherhood. The last 2 tracks on the album, La Familia and Nickels & Dimes feature a traditional Jay Z flow over classic hip-hop production.

MCHG find Jay Z in an innovative mindset as he tries to blend classical art, modernism and hip-hop. He tries to mix the current rap trends with clever, more traditional hip-hop tones. Some of the songs are instant classics and others are instantly forgettable. That being said, Magna Carta Holy Grail proves Jay still has it and that there is plenty left in Mr. Carter’s tank. 

Will Nothing Be The Same?

Will Nothing Be The Same?

The once-upon-of-time sitcom actor Aubrey Graham, more popularly known as Drake, is readying for the release of his third studio album Nothing Was The Same. Every anxious fan of rap and hip-hop is lost in the current wonderment surrounding what the heck is going to come from this highly anticipated release. In a year where Kanye West dropped Yeezus and Jay Z came through with Magna Carta Holy Grail, not to mention the soon-to-be-released efforts from Big Sean, 2 Chainz and Pusha T, some still think Drake’s new album will be rap record of the year. What must Mr. Graham do to bring his fans what they want out of this upcoming blockbuster album?

Drake’s latest single offering from his upcoming Nothing Was The Same, “Hold On We’re Going Home” sounds non-ambiguously R&B. It can honestly be mistaken as a smooth, groovy triumphant cut from the ’80s. Will this approach be the main focus of his upcoming LP or will Drake primarily dedicate this record to the hardcore hip-hop fans. Maybe Drake’s commonly used technique of cleverly balancing rap and R&B will surface once again on Nothing Was The Same.

So, what does Nothing Was The Same actually mean? Is Drake referring to what his life has transformed into since his early days or is he talking about something else all together? Perhaps this whole album will be a concept or theme album based on some story creatively illustrated by Aubrey Graham himself. He has continually proven time and time again that he has an overachieving artistic mind relatable to a widespread demographic.

Whether you are a Drake lover or a Drake hater, hip-hop fans all over will be listening to what is to be offered from his upcoming Nothing Was The Same.  Drake has already proven to be on hip-hop’s short list of current all-stars, but is this his time to maybe solidify his place in hip-hop’s legendary class. Is Drake really Mr. Right or is he merely Mr. Right Now? Only time will tell if he truly leaves the sport of hip-hop in a state where nothing will ever be the same.